Borne is the new novel from Jeff VanderMeer, the David Lynch of literary sci fi. Don’t know what I mean? Let me give you an example by summarizing the events leading up to the action in this book. In a post-apocalyptic world devastated by climate change and other, unspecified man-made disasters, an unnamed, partially-destroyed city is dominated by a biotech company (known, of course, as the Company). It’s not clear exactly what the Company makes (drugs? weapons? designer pets?), but at some point it creates Mord, a thing which grows into a giant bear the size of a building (it’s described as being three storeys high lying down). Mord develops the power to levitate and escapes the Company, wreaking havoc and destroying what remains of civilization in the city. In this environment our protagonist, a black (yes!) woman (YES!) named Rachel (fine), pairs up with Wick, a disgraced former Company employee who now manufactures biological hallucinogens in the form of beetles you insert into your ear, in a converted swimming pool that he’s made into a kind of swamp teeming with artificial life. They live in an apartment complex camouflaged as a cliff face overlooking a toxic river, which they’ve booby-trapped with weaponised biochemistry and other deterrents against trespassers. To help Wick, Rachel works as a scavenger, searching for biotech that can go into his drug-swamp-brew. The most fruitful source of this is Mord himself, and while he sleeps, Rachel climbs around in his fur looking for anything salvageable. Then comes page one.
Continue reading Borne
What happens when an oppressed people suddenly gain a huge amount of power over their oppressors? What would a truly matriarchal global society look like? Are men and women born with certain inherent characteristics, or are they the result of social conditioning (surely we can agree that one’s stupid, right)? What if women were the physically stronger sex?
Continue reading The Power
In roughly our time, after failing to save the life of an actor who collapses on stage, a trainee paramedic in Toronto receives a phone call from his doctor buddy at the hospital, telling him to lock himself in with some bottled water: a passenger from Russia has landed and is spreading a flu-like virus with a super-fast incubation period and nearly 100% transmission rate.
Twenty years later, civilization has collapsed. There is no electricity, no internal combustion engine, no modern medicine. In the Great Lakes region of North America, a group of actors and musicians walks along the abandoned road, bringing art and culture to the sparse settlements of survivors. Their motto is taken from Star Trek: Voyager: Survival is Insufficient.
Continue reading Station Eleven
In an alternative version of American history, JFK is in his third term as President, Michigan is basically one huge fiery riot, and the government is subjecting soldiers returning from Vietnam to experimental psychological treatment. Reenactments of their traumas are resulting in a loss of memory of any of the traumatic events; for some, who went to war with childhood friends, this includes large gaps in their memories over the course of a lifetime. Meanwhile, one failed experiment, known as Rake, has embarked on a killing spree, dragging along a psychologically damaged young woman, Meg, whose boyfriend was killed in Vietnam.
Continue reading Hystopia
What to say about this novel? I can, I suppose, outline the basic structure: it’s set partly in 1840s USA (including Texas, which was an independent republic at the time, a fact I did not previously know) and partly in what I suppose would have to be described as a post-apolalyptic totalitarian steampunk dystopia. Somehow these worlds are connected by a prophetic novel written by a past character – are we reading that, or are we reading what actually happens in the future? And does an old book discovered in the future world actually relate events that happened in the past, or is it a fictionalised account of the actions of people that apparently existed?
Continue reading Bats of the Republic
This is probably the best-known of Mitchell’s works, not least because it was made into a film starring Tom Hanks and Halle Berry. It’s a novel comprised of a series of nesting narratives, commencing in the colonial South Pacific, travelling through inter-war Europe, 70s California and futuristic Korea, and reaching a zenith in post-apocalyptic Hawaii, before a decrescendo back down the same path.
Continue reading Cloud Atlas
On an Army base codenamed Hotel Echo, in what used to be England, a class full of children is strapped into wheelchairs so tightly that only their eyes can move. They’re young, around ten, but the lessons they learn include Greek myths, calculus, and European history. Melanie, our heroine, is top of the class and has no trouble remembering her lessons. But, she asks her teacher, does the stated population of 1,036,900 include Birmingham’s suburbs, or just the central metropolitan area? “Who cares?” he replies. “It’s irrelevant. The population of Birmingham is zero.”
Continue reading The Girl With All the Gifts
As I learned from an Amazon product review when purchasing this book, the title is “shorthand for some scientific term”. As I learned from a very straightforward google, it more specifically means, “a group of organisms believed to comprise all the evolutionary descendants of a common ancestor.” Starting in the near future, the novel follows the members of a family through the beginnings of the effects of climate change and into a full-blown planet-wide disaster. Continue reading Clade
Like every non-World War II new release, this novel is set in a futuristic dystopia. An unnamed nation (presumably Britain; there are a lot of unnamed things in this book) has become a repressive totalitarian regime following events known only as “What happened, if it happened”. Obviously these events are not openly discussed, but the chronology gradually emerges: unrest in the Middle East as catalyst, escalated by social media, and culminating in the large-scale massacre of an unnamed race of people (apparently Jewish, but we don’t really know for sure until very late in the book).
Continue reading J
