The City & The City

Any consumer of media content of any kind will slot right into the opening of this novel. In a gritty urban setting, a grizzled and world-weary cop looks down on a dead body, possibly a prostitute. There’s a street-smart young beat cop standing nearby who knows the local working girls. There’s an incompetent subordinate who might have contaminated the crime scene. Techs are taking samples; witnesses wait nearby to be questioned. Then comes something unexpected: our detective notices a woman walking nearby, then “realises” she isn’t actually there, and unsees her.

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Station Eleven

In roughly our time, after failing to save the life of an actor who collapses on stage, a trainee paramedic in Toronto receives a phone call from his doctor buddy at the hospital, telling him to lock himself in with some bottled water: a passenger from Russia has landed and is spreading a flu-like virus with a super-fast incubation period and nearly 100% transmission rate.

Twenty years later, civilization has collapsed. There is no electricity, no internal combustion engine, no modern medicine. In the Great Lakes region of North America, a group of actors and musicians walks along the abandoned road, bringing art and culture to the sparse settlements of survivors. Their motto is taken from Star Trek: Voyager: Survival is Insufficient.

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